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Alessia Ricciardi

Professor of Italian and Comparative Literature; Director of the Program of Comparative Literary Studies

BA, University of Pisa; DEA (master's degree), Paris VII; Ph.D. Yale University

Alessia Ricciardi is a Professor in the French and Italian Department and the Comparative Literary Studies Program. She has a BA in philosophy from the University of Pisa, a DEA (master's degree) from Paris VII in psychoanalysis, and a Ph.D. in comparative literature from Yale University. Her main interests are French and Italian contemporary literature, cinema, political philosophy, psychoanalysis, and gender studies.

Her first book, The Ends of Mourning, was published by Stanford University Press in 2003 and won the MLA's 2004 Scaglione Prize for Comparative Literature. Her second book, After La Dolce Vita: A Cultural Prehistory of Berlusconi's Italy, was published by Stanford in 2012 and won the MLA’s 2013 Scaglione Prize for Italian Studies.

She has recently completed her third book project, which explores the novels of pseudonymous author Elena Ferrante, most especially the four books that comprise the Neapolitan Quartet.

The book project on which she currently is working is an exploration of the sense of anarchy in the philosophy of Giorgio Agamben with particular focus on his Homo Sacer series.

Ricciardi is a co-organizer with Isabelle Alfandary of the Summer Institute of Psychoanalysis, a cooperative effort between the Sorbonne-Nouvelle and Northwestern University that annually unites an international cluster of universities to explore the impact of psychoanalytic thought on culture as expressed by other branches of knowledge as well as media in the broadest sense of the word from literature, cinema, and performance arts to social media. Ricciardi and Alfandary also are in the process of co-authoring a book-length study of the literary, cultural, and psychoanalytic aspects of seduction in the era of the #MeToo and #TimesUp movements.

Her essays have appeared in, among other publications, PMLA, Modernism/Modernity, Modern Language Notes, The Romanic Review, and diacritics. Her most recent articles are about works by Pasolini, Antonioni, Foucault, Deleuze, and Agamben.

At Northwestern, she has taught courses such as “Fashion and Modernity” and “Antonioni’s Cinema,” at the undergraduate level and “Agamben in Context” and “Desire, Pleasure and their Politics” at the graduate level.

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